INTERVIEW — TAPE #67, SIDE #1
Q: Mark Russell Bell
F: Fiona Manning
M: Malcolm McDonald of Movie World bookstore
A: Arbi Aghayans of Crown Books
J: Janet Rawlston, Crown Books customer
R: Randy Stover, restaurant staff member
G: George Melendez, restaurant staff member
K: Ryk Seifred, restaurant staff member
Q: (I’m looking at) the flyer I picked up at the Philosophical Research Society on Sunday with the heart. Actually it’s like a ghost heart with another heart inside it and a rose superimposed or something. Anyway, it has ten numbers and ten choices listed. And at the bottom it says “For additional copies (without charge) or information, please write: The Creative Group, 23010 Lake Forest Drive #190, Laguna Hills, California 92653, USA.”
The Code of Humanity
1. I Choose to Communicate Truth
2. I Choose the Reality of Life
3. I Choose to Heal Not Hurt
4. I Choose Education Over Ignorance
5. I Choose the Power of Peace
6. I Choose to Love God (or Good) and See Him in All Mankind
7. I Choose to Seek the Soul in All Things
8. I Choose to Link to the World of Inspiration
9. I Choose the Principle of Sharing
10. I Choose to Become a Co-Creator of Life and Live It More abundantly
1. I Choose to Communicate Truth
2. I Choose the Reality of Life
3. I Choose to Heal Not Hurt
4. I Choose Education Over Ignorance
5. I Choose the Power of Peace
6. I Choose to Love God (or Good) and See Him in All Mankind
7. I Choose to Seek the Soul in All Things
8. I Choose to Link to the World of Inspiration
9. I Choose the Principle of Sharing
10. I Choose to Become a Co-Creator of Life and Live It More abundantly
Q: Can you imagine how busy my life is? I just — (“THE”) the voices said, “CALL LARRY” (Tape #54, Side #1). So I called Larry and I made a lunch appointment for Thursday. Then, I heard a voice say just “CALL.” (Tape #54, Side #1) So I figured it out. I was going to call, anyway, Karie Diethorn regarding my letter to make sure she received it so I just put a call in to her. But can you imagine having, as soon as soon as you hear a voice telling you to do something, to be ready to do it? And plus my horoscope is suggesting that I’m going to get some kind of an offer — legitimate offer that someone in my family isn’t going to like. Now these don’t always pan out but sometimes they do so I always have to be ready to expect a significant horoscope message. Trust me. (“HA”) Anyway, I have to hurry or I’ll be late for APLA.
( . . . )
Q: I’m with Fiona at Movie World where I (had previously) bought Mamie Van Doren’s biography and she’s looking at — what are you looking at?
F: Christensen’s Ultimate Movie TV Rock ‘n’ Roll and Celebrity Address Directory.
Q: And it has all the home addresses for just about every celebrity in the history of the world.
F: That’s right.
Q: Who are still alive and probably some even who are dead.
F: Some who never knew they were dead.
Q: Exactly. His name is spelled with an E by the way and not an S — O — N. (“BUT”) Did you notice (“O”) the Christ symbolism in his name?
F: Who?
Q: The author.
F: Oh Christensen? No, I didn’t notice that.
Q: Yeah. I wonder what that means?
F: I guess it means —
Q: You’re psychic.
F: — I have no idea. You see, you’re the one who keeps seeing signs —
Q: And look at this one here. (“THOUGH”) Star Trek: The Worlds of the Federation written and illustrated by Shane Johnson. S — O — N. (“BOTH OF US”) You’ll have to read my book to figure out what this all means.
F: No, I’m impressed.
Q: About what?
F: You. You’re always coming up with interesting things.
Q: I’ll tell you some more tonight at dinner.
F: Okay.
( . . . )
F: It’s awfully expensive.
Q: By the way, Fiona and I were supposed to go see the movie “Persuasion” but we went to the wrong theatre because there were two different theatres that were called Media Center. So Mighael definitely does not want me to see this movie.
F: Yes. No, he doesn’t, does he?
Q: No, He doesn’t. So it’s hard to be loving and channel love to someone who runs your life and then tells you on the cassettes to “BE MORE CREATIVE” (Tape #54, Side #1). Right?
F: Right.
Q: Can you imagine the gall to sort of shape the direction of my book and my life and then say I’m not doing enough to get it published? (“IT’S”)
F: It’s the story of my life.
Q: The story of both our lives.
F: Lives, yes. It’s going to change this year.
Q: From your mouth to God’s ear.
F: Yes.
Q: Or Mighael’s ear — whichever’s closer.
F: Yeah.
( . . . )
Q: Oh Fiona, look. Here’s Rex Harrison by Alan Eyles. Harrison.
( . . . )
Q: Hi, I’m working on my book and I’m talking to a salesman at Movie World. What’s your name?
M: Malcolm.
Q: And what’s your last name?
M: McDonald.
Q: McDonald, okay. Well we were very curious — I’m writing a tell-all book about Hollywood — and we’re very interested in this book by Christensen that has the addresses — the home addresses for all these stars.
M: Well it has a lot of the agents addresses.
Q: Oh really?
M: And it’s got — I’m sure it’s got home addresses as well. But —
Q: But can you imagine a stalker could come in here and find, like —
M: Yeah. (“YES”) Sure. I get some scary people who ask for this book.
Q: Really?
M: I try not to show it to them.
Q: Right, exactly.
M: But —
Q: That’s nice of you.
M: I don’t know how they get away with doing it. I would imagine that this stuff is public domain. But I think some of them are smart enough to list only their agents’ addresses.
Q: I wonder if, like, executives are in there like Sherry Lansing or people like that?
M: Have a look. I don’t know.
Q: Okay. Well nice talking to you.
M: Not at all.
Q: I bought Mamie Van Doren’s biography here recently. It is really cool. Really cool.
M: Good.
F: Thanks. (or “THANKS”)
Q: Okay.
M: You’re welcome.
( . . . )
Q: Fiona, my God, Sherry Lansing lives on 1363 Angelo Drive —
M: Does she?
Q: — in Beverly Hills. Angelo. (“AND”) Can you believe it? Angelo — well you’ll have to read my book to get the connection.
F: Is that her private address, though?
Q: I’m sure it is. (“CAUSE”) She’s now working at Paramount. (“HM”)
( . . . )
Q: I just told Fiona I’m going to send Sherry a follow-up letter saying —
F: Your thing’s — why is it beeping?
Q: I have no idea. I think it’s phenomena because it doesn’t do it all the time. I think when Mighael’s in a bad mood it beeps and when He’s in a good mood it doesn’t say anything. So, anyway, He told me to be creative on my last tape I was transcribing so I think I’m going to send a follow-up letter to Sherry saying, “You even live — (“ON”) a street with the name angel in the title.” And what do you think she’s going to do?
F: Flip out.
Q: You think she’ll finally agree to read my book?
F: No.
Q: Oh well.
F: I’d be creative. I just wouldn’t terrify her.
Q: Okay so what should I do?
F: Have you finished it?
Q: Yeah. It’s enough. It’s 1,350 pages long. I mean — that’s long enough, I think.
F: Well then you could.
Q: Okay.
( . . . )
Q: We just checked William Friedkin to make sure this was the right address and it says 1363 Angelo Drive, Beverly Hills, CA 90210. Who are you looking for, by the way, Fiona?
F: I was looking for Ken Howard but it’s a crazy — it’s an address on East 54th Street in New York which has to be an agent’s address.
Q: By the way, Fiona, do you remember the time that you bumped into Helen Mirren at the Beverly Center?
F: Yes, I do.
Q: Wasn’t that sort of (“A”) very unusual occurrence?
F: Yes because I threw my arms around her and hugged her.
Q: And what did she say in return?
F: I made her day. (“N” “NO” or “KNOW”)
Q: You know what the connection is I’m getting at, don’t you?
F: No.
Q: You remember the movie “Excalibur”?
F: Yes. Oh she was in that.
Q: And what did she play?
F: She —
Q: Morgana —
F: Oh yes she did. Oh you think I’m Morgana —
Q: Morgana Le Fay.
F: — okay.
Q: You never know.
F: You never know.
( . . . )
Q: Fiona and I are looking at these really weird masks of famous celebrities. They give me the creeps. They all look like they’re death masks even though some of them were done when people were young. (“LIKE”) Like they have a young and old Marlon Brando, Jack Nicholson, Sylvester Stallone. Is that Katherine Hepburn?
F: Yes.
Q: Katherine Hepburn —
F: Tommy Lee Jones.
Q: Tommy Lee Jones?
F: Yeah. Right there. (“UH-HUH”) Third from the left.
Q: Uh-huh.
F: Well that’s James Dean in between Katherine and Tommy.
Q: Oh that’s James Dean. I can’t tell which ones they are. Oh Jerry Lewis, Clark Gable who was known as ‘The King.’ Bob Hope —
F: And who’s that next to Michael Jackson?
Q: Who is that? Oh my God. Jim Morrison.
F: Oh is that who it is?
Q: Uh-huh. (Or “UH-HUH”) W.C. Fields, James Cagney and Robert De Niro.
F: You know what? I’m going to get that book.
Q: What? Say that again.
F: I’m going to get it. (“E”)
Q: Even though it’s $40? (“YEAH”) Okay.
F: Is that ridiculous?
Q: I don’t know.
F: What do you think?
Q: At least you’re not a stalker.
F: Yes.
( . . . )
Q: There’s also a mask of Tor Johnson.
( . . . )
Q: Fiona and I just saw (“A”) adorable lithograph of a cat on a computer and it said, “Are you sure you wanted to delete this file?” (“AND”) Has this happened to you, Fiona?
F: Yes. Nelson likes the mouse. He likes to walk across the keyboard. I think he thinks he’s typing.
Q: Is Nelson the black cat?
F: The black cat. Nelson’s my baby.
Q: Right. I have so many black cats that my friends — all my friends have black cats.
F: Really? They all like you. Nelson adores you.
Q: I know.
( . . . )
Q: Fiona and I were just stopped by a policeman who almost flagged us down because we were crossing a street when it said “don’t walk” and it was a green light. When people everyday cross during — jaywalk and when it’s a red light in the middle of the street. And this guy has nothing better to do than scare us that we’re going to get a $68 —
F: The fine.
Q: — fine.
F: Us. And everyone else is crossing the street.
Q: Exactly. I guess it’s because we’re both wearing business jackets.
F: I think so.
Q: Yeah.
F: See? Mighael’s with you. This is what’s going on.
Q: Yeah, exactly. Bad luck.
F: (small laugh)
( . . . )
Q: I can’t believe I was asking for that book and you had it right there at the counter. Isn’t that interesting?
A: Yep.
Q: That’s synchronicity. I’m writing a book on synchronicity.
A: Oh you are?
Q: Yes. (“SO”) It’s just so ironic that I asked for Siddhartha by Herman Hesse and it was right there on the counter. (following him)
A: A popular book. Okay, I don’t know — by — who’s it by?
Q: Hesse. H — E — S — S — E.
A: H. Okay. (“YEAH” “WEBB WW WW WW” “A I”) Ah there you go.
Q: Okay. And but (or “AND BUT”) your name isn’t Herman, is it?
A: Of course not.
Q: What is it?
A: Arbi. Like the roast beef.
Q: And what does that mean?
A: Nothing.
Q: Well what — and what’s your last name? For my interview, I need it.
A: Oh. Aghayns.
Q: Spell that.
A: A — G — H — A — Y — N — S.
Q: And what does that mean?
A: Nothing.
Q: I bet it does.
A: No, it doesn’t.
Q: Okay. Where are you from?
A: I’m from Iran.
Q: Oh okay. Well I’m sure it means something. You’ll have to read my book and see the meanings and the synchronicities.
A: That’s — is it — that’s your book?
Q: No, not this book —
A: No.
Q: — but the one I’m writing.
A: (small laugh)
Q: The one I’m writing. Okay? Nice meeting you.
A: Nice meeting you.
Q: Okay.
A: Alright.
( . . . )
Q: Fiona, you’ll never guess what happened. I asked for Siddhartha and it was right there at the desk when I asked. Do you think Mighael wants me to buy this book?
F: Yes.
Q: I don’t want to buy it. I’d rather wait to buy the hardback version of it at some used bookstore. What do you think I should do?
F: Well do you want to check Book City and see if they’ve got it?
Q: Maybe I will (“BUT”) — I hate running around —
F: They didn’t have it in hardcover?
J: You can order books here in hardback. I just did.
Q: Yeah.
J: Yeah. (“I KNOW”)
J: And they take twenty-five — like if they’re $24 they’re usually about $19. (“OKAY”)
Q: Oh — I’m interviewing — (“WHAT”) now I have to interview you because of my book. What’s your name?
J: Janet Rawlston.
Q: Rawlston. Well that’s not S — O — N but that’s S — T — O — N.
J: Yes.
Q: So that has the word ‘son’ in it. My book is about synchronicity and people’s names.
J: Oh okay.
Q: And are you from Los Angeles?
J: No. I’m from Santa Fe, New Mexico.
Q: Oh okay. And do you believe in angels?
J: Do I (or “DO I”) — I believe in them (“YEAH”) but —
Q: Have you ever been to, like, a psychic or anything?
J: Yeah, I have before. Once.
Q: And what did the psychic tell you?
J: That I was a loner. That pretty much —
Q: Well I am too.
J: (small laugh) Oh you are?
Q: In fact, my friend Fiona here is a psychic too. But — well, anyway, so you’ll have to read my book. I don’t know how everything will turn out but apparently the people I’m meeting have interesting names that all mean things. What did you say your name was again?
J: Janet Rawlston. (“RAWSTON”)
Q: So obviously those seem like pretty mundane names. So what meanings would they have?
J: I don’t know.
Q: The only one that comes quickly to mind is (“THE”) the word ‘son’ is somewhere in your last name which is sort of like I guess prophetic of the coming of Son of Man if you believe in that. Are you Christian?
J: I used to be. Right now I’m kind of just into Zen and kind of stuff so —
Q: Well I only — I believe that there’s only one religion — love. So that’s the main theme of all my books even though my second book is becoming a tell-all book about Hollywood.
J: Oh okay.
Q: You’ll have to read it. You’ll be in it.
J: Okay. (small laugh) Thank you.
Q: Thank you.
J: Uh-huh.
( . . . )
Q: Well I’ve decided not to get Siddhartha and wait to get it in hardback or at a reduced rate somewhere because I don’t have time to read it anyway and I’m not that happy with Mighael at the moment because I’m bored. But I’m in the non-fiction section and I found a book called Obsessed: Anatomy of a Stalker (“YEAH”) by Ronald Markman, (“YUCK”) M.D., J.D. and Ron LaBrecque. Markman as in Son of Man.
( . . . )
Q: It’s right next to a book called Star Stalkers by George Mair: “All their beauty, fame and fortune can’t protect them from deadly star stalkers.”
( . . . )
Q: Fiona, I told Mighael that after I publish my book, then I’ll read Siddhartha.
F: Okay.
( . . . )
Q: I opened up this book Secret of Happiness which I’m sorely in need of (“IRA[TE]”) and I read “The secret of happiness is being grateful for the hurts one receives for they are channels to understanding and wisdom.” I’d rather be happy. (small laugh)
F: Yeah.
(TRANSCRIBER’S NOTE: WE SIT AT AN OUTSIDE TABLE OF A BURBANK RESTAURANT — LUISA’S, I THINK. THE PATIO IS CROWDED SO THE CONVERSING AROUND US MAKES IT DIFFICULT TO DISCERN SPIRIT MESSAGES DURING TRANSCRIBING.)
F: Well I wanted to move and I went to have a look at an apartment on South Wooster in Los Angeles.
( . . . )
F: So I was looking for an apartment and I found one on South Wooster. And I —
Q: Where is that near?
F: It’s on the edge of Beverly Hills. It’s just a block east of Robertson, south of Beverly Boulevard.
Q: Robertson?
F: Yes. And I kept driving up and down the street. I eventually found the building but there was no number on it. And I went up to look at the apartment and I said to the landlady, “How do my friends find this place? There’s no number outside.” And she said, “Well Esai Morales the actor lives downstairs. In fact, right underneath you, and he had to — he tore the numbers off the building because these female fans found out where he lives and they’ve been coming around night and day.” I thought I — there’s no way I can move in. I can just see (“YEAH”) people coming up to my place by accident and I can just see the place being overrun by these girls. And here is the address here in this book so that’s how they found out.
Q: Exactly.
F: Yeah.
( . . . )
Q: I’m just telling Fiona that whenever I say something — (“YEAH” “I JUS[T] DON'[T]”) if you don’t have anything good to say, why say it? I’m so bummed about the way my book has been going. The only agent who wants to read my book is a raving bitch so — Susan. (“SO”) At least, she didn’t make a good first impression on me and I’m in a bad mood so I’m — when I’m in a bad mood everyone’s a bitch. (laughs) So, anyway, I’m just letting people talk and I’m keeping my mouth shut. (“SO”) I did tell Fiona that I am — whether I want to or not, I’m writing a tell-all book about Hollywood but I’m being very nice and not being too clear about the names to let everyone guess — like Jacqueline Susann used to do. Just sort of fun. So that’s sort of — that doesn’t really hurt anyone because you don’t really know who they are.
F: Right.
Q: But Fiona knows everyone in town because she is the psychic to the stars. She’s terribly underpaid, by the way, but when you have a gift, you’re not supposed to exploit it or you get into big trouble. She knows that. She’s very psychic. She channels her mother. She’s told me amazing things, as you know from reading my book out there in book-reading land.
F: So —
R: Some waters for you.
F: Thank you.
Q: Thank you.
R: You’re welcome.
Q: I’m doing an interview. (“SAY”) What’s your name?
R: Randy.
Q: Your last name?
R: Stover.
Q: Stover, okay. Where are you from?
R: D.C.
Q: D.C. Okay.
R: Doing an interview with her, huh? (“YEAH”)
F: Yeah. (“HUH” “WW”)
Q: She’s soon to be a famous psychic.
R: She is?
Q: Um-huh.
R: Very impressive.
Q: Uh-huh.
R: Good luck.
Q: Yeah. Thank you.
F: Thank you.
R: You’re welcome. (“OKAY”)
F: So you want me to tell you gossip?
Q: Um-huh. I know you hear it all.
F: I hear the most disgusting things that I’d rather not know.
Q: Right, exactly. And that’s what my book is about. (laughs)
F: I’m not supposed to mention names though, right?
Q: Of course not. Well you can if you want but — if you want to give a first name or an initial or something. That’s sort of tantalizing. (“BUT”) You know, I don’t want to out anybody. I mean everyone knows everyone — everyone knows everything anyway. It just isn’t in writing. (“WHY” “I”) Right? (“HUGE” “LIFE”)
F: If I mention names I’m expecting you to delete them, right? (“WELL I”)
Q: I probably won’t because the spirits talk on my tapes so my tapes really are my main book. My transcripts really are secondary.
F: Right. Well what I was going to say was I guess the biggest thing I’ve heard recently is I have a client who works for Demi Moore and Bruce Willis. And Bruce is a real sleazebucket basically and constantly needs to be fed fresh girls. But so does Demi. They both love women.
Q: I’ve heard that before.
F: Yeah but they never share them and, in fact, when this girl took the job — she was a young girl straight from Kentucky and she was very upset. And one of her job requirements was that she has to masturbate Demi with a vibrator. And she wouldn’t take the job for that reason. So Demi liked her a lot and took her on — ‘So luckily, you don’t have to worry about masturbating me right now’ — (“PLUS”) just coming onto the girl like crazy.
Q: (laughs)
F: I just said, “I don’t think you’re going to be able to pull this one off.” So I don’t know what’s going to happen but that’s so creepy.
Q: I know. You really hear the creepy stor(ies) — (“IT’S LIKE”) right when you think that no one could turn your stomach any more, you hear one that turns your stomach. Like that story at the party about the — we won’t say names or anything but one actor who was into ‘shrimping’ — you know? Your casting director friend did hear a lot. She was a good source for us.
F: Disgusting things. This particular actor actually had a run-in with O. J. Simpson.
Q: Really? That’s interesting.
F: Because this actor has a foot fetish and he also has a hooker fetish. He has a fetish for anyone female. But he was doing a movie with Paula Barbieri. He started having an affair with her and she was dating O. J. at the time. And O. J. went after him and so the actor quickly dropped Paula like a hot brick. And he now tells people, ‘God, you know, I could’ve been Ron Goldman.’
Q: Unbelievable. And, oh, he also — I remember the time she told us that he was masturbating. He asked the director to join him in masturbating.
F: She didn’t tell me that but the director himself told me that.
Q: Oh. Oh really?
F: He was directing — while the director was directing the actor and Paula Barbieri. And Robert was holding up the set. The director goes to his dressing room and Robert’s masturbating. And he said to him, ‘Come sit down and jerk off with me.’ And, first of all, the director’s like the most sensitive guy in the world. Second of all, he’s a big guy. He’s not the sort of guy that you would say that to. He’s like 6’6″. And I mean he really wanted to fuck Robert. But I think the thing that was — (water served) thank you.
Q: And what’s your name? (“MY”)
G: George.
Q: I’m doing an interview for my book. And what’s your last name?
G: Melendez.
Q: Melendez as in Menendez with an L instead of an N?
F: No. Melendez.
Q: Well, as I said, but with an L instead of an N.
F: Oh no — oh, I thought you said Menendez.
Q: Right, okay. Thank you. (“DEMI”)
F: So — I’m going to put this down here.
Q: Yeah, fine.
F: So —
Q: What are some really — like really, really — (“I MEAN I”) you know me, I’ve heard of all the shit that’s gone on.
F: But the part that was interesting was that the actor had to be constantly be brought callgirls and strippers and hookers. And they came to his dressing room and he still found time to sexually harass the female crew members. So this guy was busy. And we know some of the horndogs out there but he takes the cake. But —
Q: But, meanwhile, on the other side, there are the nice client like that actress who was in “Dances With Wolves.” What was her — I can’t remember her name.
Q: Michael knows her too.
F: Yeah. Mary McDonnell.
Q: Right. And let’s see, who else? You have some really good celebrity people who come to you as a psychic.
F: I think the wackiest one, though, has to be Pamela Lee.
Q: I don’t know her.
F: Pamela Anderson?
Q: Oh.
F: Now she calls herself Pamela Lee. She’s married to Tommy Lee.
Q: Oh right. (“I”)
F: Well she’s pregnant and she’s like six months pregnant and she doesn’t even look pregnant. And he’s so paranoid about her putting on weight. She eats hardly anything. But the worst of it, excuse me, is that she’s still engaged in all this . . . stuff — you know, she’s always coming in with burns on her wrists and ankles because he ties her to the bed for hours on end.
Q: He must not be too confident in his own sexuality to be that way with — you know usually men who are that way with their wives, there’s something wrong with them in terms of how they perceive themselves like they have an inferiority complex.
F: Really something wrong with a woman who says, ‘Go ahead and tie me up.’ I mean I just —
Q: (laughs)
F: — it’s just not my idea of a good time.
Q: Is she one of your clients too?
F: Yeah.
Q: Wow. So you have everyone — I mean really.
F: What’s really sad is that I read for Linda Sobek, the model that was murdered. He kept asking me how her career was going to do and I could never see anything. I could never see anything specific. Now I know why. But what was really sad was in her family her boyfriend came to me when she disappeared and he asked me to do a reading. (“BETTER”) And he told me that he hired this psychic.
G: This — oh, excuse me.
Q: Thank you.
G: You’re very welcome.
F: He hired this psychic to get into a helicopter with him and for two days they flew over the Angeles National Forest looking for her. And she charged him $500 a day. (“SPECIAL”) And even though the police (“NO”) had a confession from the killer. I found out all this before it went to press because he came to me. He said, “The police have a confession. Is it true?” And I said, “Yes.” He said, “Am I wasting my time paying this woman for another day?” I said, “Yes, she’s bulshitting you. Linda’s dead.” (“BLOOD”) And he said, “But the police can’t find the body.” And I said, “I think the guy is stalling because I don’t think he killed her the way he says he did. And he’s hoping that it’ll get dark or whatever and he’s probably going to kill himself before they find the body. And then they’ll never find her.” But I said, “You’re absolutely wasting your time getting into this chopper with this psychic again.” Anyway, he thought I was being very negative and went off and took the psychic back up in a helicopter. And they found Linda’s body that day. And I’m just amazed there are people —
Q: I also remember too you also were beneficial to Christian Slater that time.
R: Hello.
Q: Hi.
F: Hi.
Q: I’ll turn it off real quick.
( . . . )
K: Ryk.
Q: Your name is Ryk?
K: Uh-huh.
Q: How do you spell that?
K: R — Y — K.
Q: What does that mean?
K: It’s just a name.
Q: And where are you from?
K: I’m from Burbank.
Q: From Burbank?
K: Um-huh.
Q: One of the few people who’s from Burbank.
K: I’m from Burbank. Well not originally but — (“HUH”)
Q: Where were you from originally?
K: I’m in Westwood — from Westwood.
Q: Oh. But still California.
K: Exactly. Born and raised in L.A.
Q: And what’s your last name? Will you say?
K: Seifred.
Q: Spell that.
K: S — E — I — F — R — E — D.
Q: What does that mean? Or from what country is that?
K: Germany.
Q: Germany. Okay.
K: Like Sigfried and Roy?
Q: Ohh.
K: You say Sigfried in German.
Q: They’re famous magicians.
K: Yes, they are.
Q: And it’s interesting how everyone I speak to is from a different country somewhere genetically. Like I just spoke to someone who was from Iran. It’s like all these people are converging in Los Angeles.
K: Well everyone’s originally from some foreign country. So they’re . . .
Q: And from Adam and Eve.
K: Exactly. If course.
Q: But one of the things I do is I ask people who do they think they’re the reincarnation of, if anyone. And what’s the —
K: Honestly?
Q: Yeah — the first name that pops into your mind?
K: I’d have to say Brigitte Bardot. If she were —
Q: Really?
K: Yeah.
Q: Is she dead?
K: No. But —
Q: Oh.
K: When she is. (laughs)
Q: You might be a splinter of the same personality or something.
K: I might have a splinter of her soul.
Q: Exactly. (“AS”) There’s this book called Messages From Michael that goes into that. Thank you very much.
K: No problem.
( . . . )
(“SO”)
Q: I was talking to Fiona about splinters as in Messages From Michael and this is what she has to say. (“HH”)
F: You and I agree that basically, you know, a thousand different entities can make up a soul. And you said you don’t want to be like that. But you do get a choice. The entities or the souls that make up one entity — a lot of the times because they’re stuck and they don’t know where else to go, sometimes they really don’t want to come back. They’re not ready. Other times —
Q: They don’t want to be alone. (“WAKE HIM UP” “WILL CALL” “BESI”)
F: When you think of it, (“BOB”) all those entities together must be very powerful.
Q: Right. (I cough repeatedly and harder)
F: It would be a hard thing to go off to uncertainty (“HELP ME”) if you felt there is really attractive (“DIAL 911”) forces that — well I was going to tell you it’s just apropos (of) nothing but you mentioned Christian Slater and my association with — there has to be something very significant about Keanu Reeves on a spirit level because you have no idea how many girls are obsessed with him.
Q: And you know I interviewed him. (“CLAUDIA” “IN REALITY THERE IS SOME”)
F: Are you okay? (“NO”) Give him some water. (pause) What did you think of him?
( . . . )
Q: I think Keanu was very nice. (“WHY”)
F: He’s a Virgo.
Q: Yeah and he’s not one of your clients but all these girls who come to you are the ones — they ask about him. And we’ve talked about that — (“WITH”) Christian Slater. That event (“THAT YOU”) you told him about that person.
F: I called his agent and told him that he was being stalked.
Q: Right. (“AS WE ALL”) And he knew about it.
F: Um-huh. He’s now dating her.
Q: What? This I have — (“DD”) have not heard. He’s dating her? (“NO”) What bout his girlfriend that he was so close to?
F: Well she’s a client of mine actually. I think it’s ironic that I was reading for the stalker and now I read for the ex-girlfriend. He dumped her. Her name’s Nina and she got quite a good settlement. I hate that. I really don’t think that because a guy’s rich and famous that, you know, once he breaks up with a girl that he’s got to pay her alimony. I think it’s creepy.
Q: But he’s got so much money, it’s like nothing to him.
F: He really . . . (set?) her — I mean I’ve seen the papers because she kept bringing them in. She has no idea that I read and do read for the girl who’s now dating him. And she comes in and says different things — you know, Christian did awful things to her and he fucked all her friends. He kept her furniture and her sheets and things. (“FACE”) It’s a really messy Hollywood split. But I think Clint Eastwood is the one that’s the most cavalier with his women.
Q: Yeah, I know. He’s in the headlines a lot about that.
F: I mean he doesn’t sort of really care about them.
Q: Do you read for any of them?
F: No but there’s another reader and I who read for a woman who was doing voodoo spells on him to win the Oscar and he did. It was bizarre. She did really creepy voodoo spells, sacrificing all kinds of animals. (“BUT EVERYONE”)
Q: Everyone knew he was going to win anyway.
F: I kept saying, “I think he’s going to win.” She said, “Yes because of me.” And she has —
Q: Now you know where all those cats in West Hollywood were going.
F: Yeah.
( . . . )
Q: I’m with Fiona at Movie World where I (had previously) bought Mamie Van Doren’s biography and she’s looking at — what are you looking at?
F: Christensen’s Ultimate Movie TV Rock ‘n’ Roll and Celebrity Address Directory.
Q: And it has all the home addresses for just about every celebrity in the history of the world.
F: That’s right.
Q: Who are still alive and probably some even who are dead.
F: Some who never knew they were dead.
Q: Exactly. His name is spelled with an E by the way and not an S — O — N. (“BUT”) Did you notice (“O”) the Christ symbolism in his name?
F: Who?
Q: The author.
F: Oh Christensen? No, I didn’t notice that.
Q: Yeah. I wonder what that means?
F: I guess it means —
Q: You’re psychic.
F: — I have no idea. You see, you’re the one who keeps seeing signs —
Q: And look at this one here. (“THOUGH”) Star Trek: The Worlds of the Federation written and illustrated by Shane Johnson. S — O — N. (“BOTH OF US”) You’ll have to read my book to figure out what this all means.
F: No, I’m impressed.
Q: About what?
F: You. You’re always coming up with interesting things.
Q: I’ll tell you some more tonight at dinner.
F: Okay.
( . . . )
F: It’s awfully expensive.
Q: By the way, Fiona and I were supposed to go see the movie “Persuasion” but we went to the wrong theatre because there were two different theatres that were called Media Center. So Mighael definitely does not want me to see this movie.
F: Yes. No, he doesn’t, does he?
Q: No, He doesn’t. So it’s hard to be loving and channel love to someone who runs your life and then tells you on the cassettes to “BE MORE CREATIVE” (Tape #54, Side #1). Right?
F: Right.
Q: Can you imagine the gall to sort of shape the direction of my book and my life and then say I’m not doing enough to get it published? (“IT’S”)
F: It’s the story of my life.
Q: The story of both our lives.
F: Lives, yes. It’s going to change this year.
Q: From your mouth to God’s ear.
F: Yes.
Q: Or Mighael’s ear — whichever’s closer.
F: Yeah.
( . . . )
Q: Oh Fiona, look. Here’s Rex Harrison by Alan Eyles. Harrison.
( . . . )
Q: Hi, I’m working on my book and I’m talking to a salesman at Movie World. What’s your name?
M: Malcolm.
Q: And what’s your last name?
M: McDonald.
Q: McDonald, okay. Well we were very curious — I’m writing a tell-all book about Hollywood — and we’re very interested in this book by Christensen that has the addresses — the home addresses for all these stars.
M: Well it has a lot of the agents addresses.
Q: Oh really?
M: And it’s got — I’m sure it’s got home addresses as well. But —
Q: But can you imagine a stalker could come in here and find, like —
M: Yeah. (“YES”) Sure. I get some scary people who ask for this book.
Q: Really?
M: I try not to show it to them.
Q: Right, exactly.
M: But —
Q: That’s nice of you.
M: I don’t know how they get away with doing it. I would imagine that this stuff is public domain. But I think some of them are smart enough to list only their agents’ addresses.
Q: I wonder if, like, executives are in there like Sherry Lansing or people like that?
M: Have a look. I don’t know.
Q: Okay. Well nice talking to you.
M: Not at all.
Q: I bought Mamie Van Doren’s biography here recently. It is really cool. Really cool.
M: Good.
F: Thanks. (or “THANKS”)
Q: Okay.
M: You’re welcome.
( . . . )
Q: Fiona, my God, Sherry Lansing lives on 1363 Angelo Drive —
M: Does she?
Q: — in Beverly Hills. Angelo. (“AND”) Can you believe it? Angelo — well you’ll have to read my book to get the connection.
F: Is that her private address, though?
Q: I’m sure it is. (“CAUSE”) She’s now working at Paramount. (“HM”)
( . . . )
Q: I just told Fiona I’m going to send Sherry a follow-up letter saying —
F: Your thing’s — why is it beeping?
Q: I have no idea. I think it’s phenomena because it doesn’t do it all the time. I think when Mighael’s in a bad mood it beeps and when He’s in a good mood it doesn’t say anything. So, anyway, He told me to be creative on my last tape I was transcribing so I think I’m going to send a follow-up letter to Sherry saying, “You even live — (“ON”) a street with the name angel in the title.” And what do you think she’s going to do?
F: Flip out.
Q: You think she’ll finally agree to read my book?
F: No.
Q: Oh well.
F: I’d be creative. I just wouldn’t terrify her.
Q: Okay so what should I do?
F: Have you finished it?
Q: Yeah. It’s enough. It’s 1,350 pages long. I mean — that’s long enough, I think.
F: Well then you could.
Q: Okay.
( . . . )
Q: We just checked William Friedkin to make sure this was the right address and it says 1363 Angelo Drive, Beverly Hills, CA 90210. Who are you looking for, by the way, Fiona?
F: I was looking for Ken Howard but it’s a crazy — it’s an address on East 54th Street in New York which has to be an agent’s address.
Q: By the way, Fiona, do you remember the time that you bumped into Helen Mirren at the Beverly Center?
F: Yes, I do.
Q: Wasn’t that sort of (“A”) very unusual occurrence?
F: Yes because I threw my arms around her and hugged her.
Q: And what did she say in return?
F: I made her day. (“N” “NO” or “KNOW”)
Q: You know what the connection is I’m getting at, don’t you?
F: No.
Q: You remember the movie “Excalibur”?
F: Yes. Oh she was in that.
Q: And what did she play?
F: She —
Q: Morgana —
F: Oh yes she did. Oh you think I’m Morgana —
Q: Morgana Le Fay.
F: — okay.
Q: You never know.
F: You never know.
( . . . )
Q: Fiona and I are looking at these really weird masks of famous celebrities. They give me the creeps. They all look like they’re death masks even though some of them were done when people were young. (“LIKE”) Like they have a young and old Marlon Brando, Jack Nicholson, Sylvester Stallone. Is that Katherine Hepburn?
F: Yes.
Q: Katherine Hepburn —
F: Tommy Lee Jones.
Q: Tommy Lee Jones?
F: Yeah. Right there. (“UH-HUH”) Third from the left.
Q: Uh-huh.
F: Well that’s James Dean in between Katherine and Tommy.
Q: Oh that’s James Dean. I can’t tell which ones they are. Oh Jerry Lewis, Clark Gable who was known as ‘The King.’ Bob Hope —
F: And who’s that next to Michael Jackson?
Q: Who is that? Oh my God. Jim Morrison.
F: Oh is that who it is?
Q: Uh-huh. (Or “UH-HUH”) W.C. Fields, James Cagney and Robert De Niro.
F: You know what? I’m going to get that book.
Q: What? Say that again.
F: I’m going to get it. (“E”)
Q: Even though it’s $40? (“YEAH”) Okay.
F: Is that ridiculous?
Q: I don’t know.
F: What do you think?
Q: At least you’re not a stalker.
F: Yes.
( . . . )
Q: There’s also a mask of Tor Johnson.
( . . . )
Q: Fiona and I just saw (“A”) adorable lithograph of a cat on a computer and it said, “Are you sure you wanted to delete this file?” (“AND”) Has this happened to you, Fiona?
F: Yes. Nelson likes the mouse. He likes to walk across the keyboard. I think he thinks he’s typing.
Q: Is Nelson the black cat?
F: The black cat. Nelson’s my baby.
Q: Right. I have so many black cats that my friends — all my friends have black cats.
F: Really? They all like you. Nelson adores you.
Q: I know.
( . . . )
Q: Fiona and I were just stopped by a policeman who almost flagged us down because we were crossing a street when it said “don’t walk” and it was a green light. When people everyday cross during — jaywalk and when it’s a red light in the middle of the street. And this guy has nothing better to do than scare us that we’re going to get a $68 —
F: The fine.
Q: — fine.
F: Us. And everyone else is crossing the street.
Q: Exactly. I guess it’s because we’re both wearing business jackets.
F: I think so.
Q: Yeah.
F: See? Mighael’s with you. This is what’s going on.
Q: Yeah, exactly. Bad luck.
F: (small laugh)
( . . . )
Q: I can’t believe I was asking for that book and you had it right there at the counter. Isn’t that interesting?
A: Yep.
Q: That’s synchronicity. I’m writing a book on synchronicity.
A: Oh you are?
Q: Yes. (“SO”) It’s just so ironic that I asked for Siddhartha by Herman Hesse and it was right there on the counter. (following him)
A: A popular book. Okay, I don’t know — by — who’s it by?
Q: Hesse. H — E — S — S — E.
A: H. Okay. (“YEAH” “WEBB WW WW WW” “A I”) Ah there you go.
Q: Okay. And but (or “AND BUT”) your name isn’t Herman, is it?
A: Of course not.
Q: What is it?
A: Arbi. Like the roast beef.
Q: And what does that mean?
A: Nothing.
Q: Well what — and what’s your last name? For my interview, I need it.
A: Oh. Aghayns.
Q: Spell that.
A: A — G — H — A — Y — N — S.
Q: And what does that mean?
A: Nothing.
Q: I bet it does.
A: No, it doesn’t.
Q: Okay. Where are you from?
A: I’m from Iran.
Q: Oh okay. Well I’m sure it means something. You’ll have to read my book and see the meanings and the synchronicities.
A: That’s — is it — that’s your book?
Q: No, not this book —
A: No.
Q: — but the one I’m writing.
A: (small laugh)
Q: The one I’m writing. Okay? Nice meeting you.
A: Nice meeting you.
Q: Okay.
A: Alright.
( . . . )
Q: Fiona, you’ll never guess what happened. I asked for Siddhartha and it was right there at the desk when I asked. Do you think Mighael wants me to buy this book?
F: Yes.
Q: I don’t want to buy it. I’d rather wait to buy the hardback version of it at some used bookstore. What do you think I should do?
F: Well do you want to check Book City and see if they’ve got it?
Q: Maybe I will (“BUT”) — I hate running around —
F: They didn’t have it in hardcover?
J: You can order books here in hardback. I just did.
Q: Yeah.
J: Yeah. (“I KNOW”)
J: And they take twenty-five — like if they’re $24 they’re usually about $19. (“OKAY”)
Q: Oh — I’m interviewing — (“WHAT”) now I have to interview you because of my book. What’s your name?
J: Janet Rawlston.
Q: Rawlston. Well that’s not S — O — N but that’s S — T — O — N.
J: Yes.
Q: So that has the word ‘son’ in it. My book is about synchronicity and people’s names.
J: Oh okay.
Q: And are you from Los Angeles?
J: No. I’m from Santa Fe, New Mexico.
Q: Oh okay. And do you believe in angels?
J: Do I (or “DO I”) — I believe in them (“YEAH”) but —
Q: Have you ever been to, like, a psychic or anything?
J: Yeah, I have before. Once.
Q: And what did the psychic tell you?
J: That I was a loner. That pretty much —
Q: Well I am too.
J: (small laugh) Oh you are?
Q: In fact, my friend Fiona here is a psychic too. But — well, anyway, so you’ll have to read my book. I don’t know how everything will turn out but apparently the people I’m meeting have interesting names that all mean things. What did you say your name was again?
J: Janet Rawlston. (“RAWSTON”)
Q: So obviously those seem like pretty mundane names. So what meanings would they have?
J: I don’t know.
Q: The only one that comes quickly to mind is (“THE”) the word ‘son’ is somewhere in your last name which is sort of like I guess prophetic of the coming of Son of Man if you believe in that. Are you Christian?
J: I used to be. Right now I’m kind of just into Zen and kind of stuff so —
Q: Well I only — I believe that there’s only one religion — love. So that’s the main theme of all my books even though my second book is becoming a tell-all book about Hollywood.
J: Oh okay.
Q: You’ll have to read it. You’ll be in it.
J: Okay. (small laugh) Thank you.
Q: Thank you.
J: Uh-huh.
( . . . )
Q: Well I’ve decided not to get Siddhartha and wait to get it in hardback or at a reduced rate somewhere because I don’t have time to read it anyway and I’m not that happy with Mighael at the moment because I’m bored. But I’m in the non-fiction section and I found a book called Obsessed: Anatomy of a Stalker (“YEAH”) by Ronald Markman, (“YUCK”) M.D., J.D. and Ron LaBrecque. Markman as in Son of Man.
( . . . )
Q: It’s right next to a book called Star Stalkers by George Mair: “All their beauty, fame and fortune can’t protect them from deadly star stalkers.”
( . . . )
Q: Fiona, I told Mighael that after I publish my book, then I’ll read Siddhartha.
F: Okay.
( . . . )
Q: I opened up this book Secret of Happiness which I’m sorely in need of (“IRA[TE]”) and I read “The secret of happiness is being grateful for the hurts one receives for they are channels to understanding and wisdom.” I’d rather be happy. (small laugh)
F: Yeah.
(TRANSCRIBER’S NOTE: WE SIT AT AN OUTSIDE TABLE OF A BURBANK RESTAURANT — LUISA’S, I THINK. THE PATIO IS CROWDED SO THE CONVERSING AROUND US MAKES IT DIFFICULT TO DISCERN SPIRIT MESSAGES DURING TRANSCRIBING.)
F: Well I wanted to move and I went to have a look at an apartment on South Wooster in Los Angeles.
( . . . )
F: So I was looking for an apartment and I found one on South Wooster. And I —
Q: Where is that near?
F: It’s on the edge of Beverly Hills. It’s just a block east of Robertson, south of Beverly Boulevard.
Q: Robertson?
F: Yes. And I kept driving up and down the street. I eventually found the building but there was no number on it. And I went up to look at the apartment and I said to the landlady, “How do my friends find this place? There’s no number outside.” And she said, “Well Esai Morales the actor lives downstairs. In fact, right underneath you, and he had to — he tore the numbers off the building because these female fans found out where he lives and they’ve been coming around night and day.” I thought I — there’s no way I can move in. I can just see (“YEAH”) people coming up to my place by accident and I can just see the place being overrun by these girls. And here is the address here in this book so that’s how they found out.
Q: Exactly.
F: Yeah.
( . . . )
Q: I’m just telling Fiona that whenever I say something — (“YEAH” “I JUS[T] DON'[T]”) if you don’t have anything good to say, why say it? I’m so bummed about the way my book has been going. The only agent who wants to read my book is a raving bitch so — Susan. (“SO”) At least, she didn’t make a good first impression on me and I’m in a bad mood so I’m — when I’m in a bad mood everyone’s a bitch. (laughs) So, anyway, I’m just letting people talk and I’m keeping my mouth shut. (“SO”) I did tell Fiona that I am — whether I want to or not, I’m writing a tell-all book about Hollywood but I’m being very nice and not being too clear about the names to let everyone guess — like Jacqueline Susann used to do. Just sort of fun. So that’s sort of — that doesn’t really hurt anyone because you don’t really know who they are.
F: Right.
Q: But Fiona knows everyone in town because she is the psychic to the stars. She’s terribly underpaid, by the way, but when you have a gift, you’re not supposed to exploit it or you get into big trouble. She knows that. She’s very psychic. She channels her mother. She’s told me amazing things, as you know from reading my book out there in book-reading land.
F: So —
R: Some waters for you.
F: Thank you.
Q: Thank you.
R: You’re welcome.
Q: I’m doing an interview. (“SAY”) What’s your name?
R: Randy.
Q: Your last name?
R: Stover.
Q: Stover, okay. Where are you from?
R: D.C.
Q: D.C. Okay.
R: Doing an interview with her, huh? (“YEAH”)
F: Yeah. (“HUH” “WW”)
Q: She’s soon to be a famous psychic.
R: She is?
Q: Um-huh.
R: Very impressive.
Q: Uh-huh.
R: Good luck.
Q: Yeah. Thank you.
F: Thank you.
R: You’re welcome. (“OKAY”)
F: So you want me to tell you gossip?
Q: Um-huh. I know you hear it all.
F: I hear the most disgusting things that I’d rather not know.
Q: Right, exactly. And that’s what my book is about. (laughs)
F: I’m not supposed to mention names though, right?
Q: Of course not. Well you can if you want but — if you want to give a first name or an initial or something. That’s sort of tantalizing. (“BUT”) You know, I don’t want to out anybody. I mean everyone knows everyone — everyone knows everything anyway. It just isn’t in writing. (“WHY” “I”) Right? (“HUGE” “LIFE”)
F: If I mention names I’m expecting you to delete them, right? (“WELL I”)
Q: I probably won’t because the spirits talk on my tapes so my tapes really are my main book. My transcripts really are secondary.
F: Right. Well what I was going to say was I guess the biggest thing I’ve heard recently is I have a client who works for Demi Moore and Bruce Willis. And Bruce is a real sleazebucket basically and constantly needs to be fed fresh girls. But so does Demi. They both love women.
Q: I’ve heard that before.
F: Yeah but they never share them and, in fact, when this girl took the job — she was a young girl straight from Kentucky and she was very upset. And one of her job requirements was that she has to masturbate Demi with a vibrator. And she wouldn’t take the job for that reason. So Demi liked her a lot and took her on — ‘So luckily, you don’t have to worry about masturbating me right now’ — (“PLUS”) just coming onto the girl like crazy.
Q: (laughs)
F: I just said, “I don’t think you’re going to be able to pull this one off.” So I don’t know what’s going to happen but that’s so creepy.
Q: I know. You really hear the creepy stor(ies) — (“IT’S LIKE”) right when you think that no one could turn your stomach any more, you hear one that turns your stomach. Like that story at the party about the — we won’t say names or anything but one actor who was into ‘shrimping’ — you know? Your casting director friend did hear a lot. She was a good source for us.
F: Disgusting things. This particular actor actually had a run-in with O. J. Simpson.
Q: Really? That’s interesting.
F: Because this actor has a foot fetish and he also has a hooker fetish. He has a fetish for anyone female. But he was doing a movie with Paula Barbieri. He started having an affair with her and she was dating O. J. at the time. And O. J. went after him and so the actor quickly dropped Paula like a hot brick. And he now tells people, ‘God, you know, I could’ve been Ron Goldman.’
Q: Unbelievable. And, oh, he also — I remember the time she told us that he was masturbating. He asked the director to join him in masturbating.
F: She didn’t tell me that but the director himself told me that.
Q: Oh. Oh really?
F: He was directing — while the director was directing the actor and Paula Barbieri. And Robert was holding up the set. The director goes to his dressing room and Robert’s masturbating. And he said to him, ‘Come sit down and jerk off with me.’ And, first of all, the director’s like the most sensitive guy in the world. Second of all, he’s a big guy. He’s not the sort of guy that you would say that to. He’s like 6’6″. And I mean he really wanted to fuck Robert. But I think the thing that was — (water served) thank you.
Q: And what’s your name? (“MY”)
G: George.
Q: I’m doing an interview for my book. And what’s your last name?
G: Melendez.
Q: Melendez as in Menendez with an L instead of an N?
F: No. Melendez.
Q: Well, as I said, but with an L instead of an N.
F: Oh no — oh, I thought you said Menendez.
Q: Right, okay. Thank you. (“DEMI”)
F: So — I’m going to put this down here.
Q: Yeah, fine.
F: So —
Q: What are some really — like really, really — (“I MEAN I”) you know me, I’ve heard of all the shit that’s gone on.
F: But the part that was interesting was that the actor had to be constantly be brought callgirls and strippers and hookers. And they came to his dressing room and he still found time to sexually harass the female crew members. So this guy was busy. And we know some of the horndogs out there but he takes the cake. But —
Q: But, meanwhile, on the other side, there are the nice client like that actress who was in “Dances With Wolves.” What was her — I can’t remember her name.
Q: Michael knows her too.
F: Yeah. Mary McDonnell.
Q: Right. And let’s see, who else? You have some really good celebrity people who come to you as a psychic.
F: I think the wackiest one, though, has to be Pamela Lee.
Q: I don’t know her.
F: Pamela Anderson?
Q: Oh.
F: Now she calls herself Pamela Lee. She’s married to Tommy Lee.
Q: Oh right. (“I”)
F: Well she’s pregnant and she’s like six months pregnant and she doesn’t even look pregnant. And he’s so paranoid about her putting on weight. She eats hardly anything. But the worst of it, excuse me, is that she’s still engaged in all this . . . stuff — you know, she’s always coming in with burns on her wrists and ankles because he ties her to the bed for hours on end.
Q: He must not be too confident in his own sexuality to be that way with — you know usually men who are that way with their wives, there’s something wrong with them in terms of how they perceive themselves like they have an inferiority complex.
F: Really something wrong with a woman who says, ‘Go ahead and tie me up.’ I mean I just —
Q: (laughs)
F: — it’s just not my idea of a good time.
Q: Is she one of your clients too?
F: Yeah.
Q: Wow. So you have everyone — I mean really.
F: What’s really sad is that I read for Linda Sobek, the model that was murdered. He kept asking me how her career was going to do and I could never see anything. I could never see anything specific. Now I know why. But what was really sad was in her family her boyfriend came to me when she disappeared and he asked me to do a reading. (“BETTER”) And he told me that he hired this psychic.
G: This — oh, excuse me.
Q: Thank you.
G: You’re very welcome.
F: He hired this psychic to get into a helicopter with him and for two days they flew over the Angeles National Forest looking for her. And she charged him $500 a day. (“SPECIAL”) And even though the police (“NO”) had a confession from the killer. I found out all this before it went to press because he came to me. He said, “The police have a confession. Is it true?” And I said, “Yes.” He said, “Am I wasting my time paying this woman for another day?” I said, “Yes, she’s bulshitting you. Linda’s dead.” (“BLOOD”) And he said, “But the police can’t find the body.” And I said, “I think the guy is stalling because I don’t think he killed her the way he says he did. And he’s hoping that it’ll get dark or whatever and he’s probably going to kill himself before they find the body. And then they’ll never find her.” But I said, “You’re absolutely wasting your time getting into this chopper with this psychic again.” Anyway, he thought I was being very negative and went off and took the psychic back up in a helicopter. And they found Linda’s body that day. And I’m just amazed there are people —
Q: I also remember too you also were beneficial to Christian Slater that time.
R: Hello.
Q: Hi.
F: Hi.
Q: I’ll turn it off real quick.
( . . . )
K: Ryk.
Q: Your name is Ryk?
K: Uh-huh.
Q: How do you spell that?
K: R — Y — K.
Q: What does that mean?
K: It’s just a name.
Q: And where are you from?
K: I’m from Burbank.
Q: From Burbank?
K: Um-huh.
Q: One of the few people who’s from Burbank.
K: I’m from Burbank. Well not originally but — (“HUH”)
Q: Where were you from originally?
K: I’m in Westwood — from Westwood.
Q: Oh. But still California.
K: Exactly. Born and raised in L.A.
Q: And what’s your last name? Will you say?
K: Seifred.
Q: Spell that.
K: S — E — I — F — R — E — D.
Q: What does that mean? Or from what country is that?
K: Germany.
Q: Germany. Okay.
K: Like Sigfried and Roy?
Q: Ohh.
K: You say Sigfried in German.
Q: They’re famous magicians.
K: Yes, they are.
Q: And it’s interesting how everyone I speak to is from a different country somewhere genetically. Like I just spoke to someone who was from Iran. It’s like all these people are converging in Los Angeles.
K: Well everyone’s originally from some foreign country. So they’re . . .
Q: And from Adam and Eve.
K: Exactly. If course.
Q: But one of the things I do is I ask people who do they think they’re the reincarnation of, if anyone. And what’s the —
K: Honestly?
Q: Yeah — the first name that pops into your mind?
K: I’d have to say Brigitte Bardot. If she were —
Q: Really?
K: Yeah.
Q: Is she dead?
K: No. But —
Q: Oh.
K: When she is. (laughs)
Q: You might be a splinter of the same personality or something.
K: I might have a splinter of her soul.
Q: Exactly. (“AS”) There’s this book called Messages From Michael that goes into that. Thank you very much.
K: No problem.
( . . . )
(“SO”)
Q: I was talking to Fiona about splinters as in Messages From Michael and this is what she has to say. (“HH”)
F: You and I agree that basically, you know, a thousand different entities can make up a soul. And you said you don’t want to be like that. But you do get a choice. The entities or the souls that make up one entity — a lot of the times because they’re stuck and they don’t know where else to go, sometimes they really don’t want to come back. They’re not ready. Other times —
Q: They don’t want to be alone. (“WAKE HIM UP” “WILL CALL” “BESI”)
F: When you think of it, (“BOB”) all those entities together must be very powerful.
Q: Right. (I cough repeatedly and harder)
F: It would be a hard thing to go off to uncertainty (“HELP ME”) if you felt there is really attractive (“DIAL 911”) forces that — well I was going to tell you it’s just apropos (of) nothing but you mentioned Christian Slater and my association with — there has to be something very significant about Keanu Reeves on a spirit level because you have no idea how many girls are obsessed with him.
Q: And you know I interviewed him. (“CLAUDIA” “IN REALITY THERE IS SOME”)
F: Are you okay? (“NO”) Give him some water. (pause) What did you think of him?
( . . . )
Q: I think Keanu was very nice. (“WHY”)
F: He’s a Virgo.
Q: Yeah and he’s not one of your clients but all these girls who come to you are the ones — they ask about him. And we’ve talked about that — (“WITH”) Christian Slater. That event (“THAT YOU”) you told him about that person.
F: I called his agent and told him that he was being stalked.
Q: Right. (“AS WE ALL”) And he knew about it.
F: Um-huh. He’s now dating her.
Q: What? This I have — (“DD”) have not heard. He’s dating her? (“NO”) What bout his girlfriend that he was so close to?
F: Well she’s a client of mine actually. I think it’s ironic that I was reading for the stalker and now I read for the ex-girlfriend. He dumped her. Her name’s Nina and she got quite a good settlement. I hate that. I really don’t think that because a guy’s rich and famous that, you know, once he breaks up with a girl that he’s got to pay her alimony. I think it’s creepy.
Q: But he’s got so much money, it’s like nothing to him.
F: He really . . . (set?) her — I mean I’ve seen the papers because she kept bringing them in. She has no idea that I read and do read for the girl who’s now dating him. And she comes in and says different things — you know, Christian did awful things to her and he fucked all her friends. He kept her furniture and her sheets and things. (“FACE”) It’s a really messy Hollywood split. But I think Clint Eastwood is the one that’s the most cavalier with his women.
Q: Yeah, I know. He’s in the headlines a lot about that.
F: I mean he doesn’t sort of really care about them.
Q: Do you read for any of them?
F: No but there’s another reader and I who read for a woman who was doing voodoo spells on him to win the Oscar and he did. It was bizarre. She did really creepy voodoo spells, sacrificing all kinds of animals. (“BUT EVERYONE”)
Q: Everyone knew he was going to win anyway.
F: I kept saying, “I think he’s going to win.” She said, “Yes because of me.” And she has —
Q: Now you know where all those cats in West Hollywood were going.
F: Yeah.
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